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Transcode Sony Alpha a7II XAVC S to MOV with ProRes HQ/DNxHD/AIC codec for Editing on NLEs

Transcode Sony Alpha a7II XAVC S to MOV with ProRes HQ/DNxHD/AIC codec for Editing on NLEs

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Summary: In this article, we are going to have a talk on how to edit our XAVC S footage from Sony Alpha a7II in popular NELs  with suitable video codec. For example, ProRes MOV to FCP, DNxHD MOV to Avid MC, ACI MOV to iMovie/FCE, etc. With a professional XAVC video converter, all troubles there we can smoothly solve well.

Most editors in the market like FCP, Adobe Premiere, they are all included in non-linear editing system. The most outstanding advantage of the non-linear editing is that if you import your source videos into those editors, there will be no lose or modified during editing. This is one of the biggest advantages of non-leaner editing compared to linear editing.

Here is the best XAVC Video Converter Review which I hope can hlep you a lot in editing or playing XAVC files.


But did you find that if you want to directly import your source video into those NLE to do the following edits, which some error messages will pop up? That was because your source videos came from your camera can’t be opened natively. Take this Sony Alpha A7II for example, the video shoot under the XAVC-S mode may came as MXF, which cannot be natively supported by those NLEs.

How to convert those XAVC-S MXF files to open them natively in NLE?
Since there are so many NLE in the market , let’s take this FCP for example. You may say that with the latest FCP, this MXF format can be supported without any rewrapping. But with this XAVC codec, it may still cause some problem when you import them into FCP. The best way to tackle this kind of problem is to find yourself a XAVC Converter and then convert to the native format like Appple ProRes HQ .

See detailed workflow of this conversion below:
1.Load your Sony XAVC files:

Download this Pavtube HD Video Converter for Mac and install it step by step. Then load your XAVC MXF files into this software by clicking “File”>”Add Video/Audio” or “Add from folder”.
2. Choose suitable ones individually for NELs:

After importing them into this program, it’s time to select suitable output ones for different non-linear editing tools. Let me show you some examples below:

a:Come to the output list, let’s choose the ‘Final Cut Pro’ to select the ‘Apple ProRes Codec 422(*.mov) as the best . Additionally, you can also choose several ProRes codec as your favorite.


b: For Avid Media Composer: Drop down the output list, we suggest you to choose the ‘Avid Media Composer’>>’DNxHD mov’ as the best outputone.

C: while for iMovie and FCE,  here we have offered the ‘iMovie/Final Cut Express’>>’Apple InterMediate Codec (AIC) (*.mov)’ there. Do you wanna a try?

Expand Knowledge:
NLE is an acronym, it stands for non-linear editing system. This is a video or audio editing digital audio workstation system. No –linear editing is the most natural approach when all assets are available as files on video servers or hard disks. Rather than recordings on reels or tapes, while linear editing is what kind of system that need to sequentially view film or hear tape.

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