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Best compact cameras for travel 2015:Panasonic Lumix DMC-LX100 & Sony Cyber-shot DSC-RX100 IV

Best compact cameras for travel 2015:Panasonic Lumix DMC-LX100 & Sony Cyber-shot DSC-RX100 IV

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Review

Summary: Whether you’re traveling the world or the next town over, having the right camera at your side makes all the difference. We’ve picked out our best picks for the photographer who wants to keep things simple by carrying a compact camera rather than one with interchangeable lenses. If you fall into that category, we’ve got great news for you – there are the comparison of Panasonic Lumix DMC-LX100 & Sony Cyber-shot DSC-RX100 IV for you.



Panasonic Lumix FZ1000

$750 | 20MP 1″-type sensor | 4K video | 25-400mm equiv. focal range | XGA OLED viewfinder

You can zoom with your feet all day long, but some situations and shooting styles call for real zoom. The Panasonic Lumix FZ1000 doesn’t top its class in terms of massive zoom reach, but its 25-400mm equivalent zoom opens up plenty of options, and an F2.8-4.0 aperture is brighter than most of its peers. With a 1″-type 20.1MP CMOS sensor, it borrows some tech from the GH4 including 4K video recording at 30 fps. Its DSLR-style build includes a fully articulated 921k-dot 3″ LCD and a 2.4M-dot OLED viewfinder.

Sony Cyber-shot DSC-RX100 IV

$950 | 20MP 1″-type sensor | F1.8-2.8 24-70mm equiv. lens | Pop-up EVF | 4K video

It’s hard not to recommend the Sony RX100 IV to anyone buying a compact. It’s by no means a budget-friendly option, but it’s among the most capable pocket-sized cameras we’ve ever tested. Sony’s excellent 20MP 1″-type sensor is bigger than your garden-variety compact camera sensor with lots of dynamic range, and a 24-70mm equiv. F1.8-2.8 lens is much brighter than most of its competition. The camera’s tiny pop-up EVF is higher resolution than that of it predecessor and comes in very handy in bright outdoor light.

The RX100 IV really shines when you set the mode dial to movie mode. 4K/UHD recording is available, and at lower resolutions (upscaled to 1080p) high frame rates of 240, 480 and 960 fps can be used. Slow motion video is an awful lot of fun.

If you want to take control over your settings, shoot high quality video and make the most of your vacation Raw files, the RX100 IV is a solid choice. Of course, if you can live without 4K and high frame rates, the RX100 III will save you a couple hundred dollars and get you much of the same excellent image quality. Neither will get you a lot of zoom if that’s what you’re after, but their image quality is at the top of their class.

How to Edit 4K Video with Final Cut Pro Panasonic with Lumix DMC-LX100 or Sony Cyber-shot DSC-RX100 IV

There are very many versions of Final Cut Pro so you must know which of those you are to use. There might be a few variations on how each version edits video but it should not be a big issue. As long as you have an understanding of how each operates, you will be ready to edit your Lumix DMC-LX100 or Sony Cyber-shot DSC-RX100 IV 4K video. Some of the latest versions can even support resolution of up to 5K which just offers you more opportunities. Ideally, you should not be thinking too much about the resolution but formats used.

Compatibility is very critical for a successful editing of 4K videos so you should not proceed without an assurance on this one. Your videos should come with a format that is compatible with Final Cut Pro otherwise you are going to experience challenges in editing. The good thing is that Final Cut Pro has support for very many popular formats to choose from. Unless you are not serious, you will always have limitless choices at hand for consideration.

Simple Steps to Edit 4K Video in Final Cut Pro

1. Load Files
Are you going to edit one file or many? Whichever your answer is, you will have it easy adding the files to Final Cut Pro for editing. You can decide to click “edit” on the menu bar then “load media files” which is very easy. If you have no time to do all that, just drag the files and drop them to the program timeline.

2. Customize
Your edited video will need some enhancements and this is the right time to do that. Click on “settings” and that will allow you to change key parameters in the best way possible. You will be able to adjust parameters for both video and audio if applicable.

3. Actual Editing
You will get to make all the changes you want to the video and apply that. If it’s cropping, trimming or converting, you will have to click the corresponding button on the program and the process will commence. Be aware that Final Cut Pro will edit only sections of the 4K video that have been marked for that so don’t expect a miracle.

4. Save
If you don’t save the changes made to the video, you will have done nothing forcing you to start from zero. Make sure you have clicked the “save” button once through with editing to make the changes applicable and permanent.

Final Cut Pro Alternatives

Pavtube Media Magician / Mac Version is another substitute of Final cut pro, because of many cutting-edge features its demand is increasing among the media experts. This workspace help the editor to add, mix, delete, different clip art and movies with help of given template and other smart tools. So, editing results in productive output with desirable changes. Here are its astonishing features.

  • Simple and clear interface, pretty easy to use;
  • More than 90 types of transitions available to put video clips into a sequence.
  • Easy way of trimming, cropping and merging the clips.
  • More than 300 effects to apply: filters, overlays, motion effects, etc.
  • Adjusting the frames, bit rate and rate is hassle free now.
  • You can have an immediate look at the changes you made.
  • Fully support all OS X (El Capitan supported) and Windows (Windows 10 included).


Edit 4K Video in a More Easier Way

Final Cut Pro works natively with Apple Prores Codec, to encode Lumix DMC-LX100 or Sony Cyber-shot DSC-RX100 IV 4K video to Apple Prores Codec, you are recommended to use Pavtube HD Video Converter for Mac, which enables you to directly output Sony RX100 IV XAVC S 4K video to Final Cut Pro optimized different types of Apple Prores Codecs. For better FCP X workflow performance, you’re advised to select “Apple Prores 422 (*.mov)” or “Apple Prores 422 (HQ) (*.mov)” as your final editing format.

          

For more details please read www.multipelife.com/import-rx100-iv-xavc-s-to-fcp-x.html.

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