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Why I Can’t Import my Sony Cyber-shot AVCHD/MPEG-4 to Avid MC?

Why I Can’t Import my Sony Cyber-shot AVCHD/MPEG-4 to Avid MC?

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Avid Edit Video

Sony RX10 III is the latest member of Sony RX10 series of cameras. Sony RX10 III has a 20.0MP 1″ (13.2 x 8.8 mm ) sized BSI-CMOS sensor and features Bionz X processor. You can shoot at maximum resolution of 5472 x 3648 pixels with aspect ratios of 1:1, 4:3, 3:2 and 16:9. RX10 III has an ISO range of 64 – 25600 and it can save files in RAW format which gives you a wider room for post processing. The most important thing is that this camera supports to shoot 4K video. How extraordinary! Maybe you have couldn’t wait to record personal videos and put it into Avid Media Composer to edit to show your talent. 

Wait for a minute! 4K supporting maybe go to your head so that you forget that Pavtube HD Video Converter for Mac can easily import the Sony RX10 III AVCHD/MPEG-4 and MP4, H.264, XAVC S, DV, HDV, 3GP, etc. Are your sure that you can import Sony RX10 III AVCHD/MPEG-4 and XAVC S video to Avid Media Composer to edit? OK. I know that you will say with the help of Pavtube HD Video Converter for Mac, nothing is impossible. Yes! Absolutely! This software can turn various SD/HD/4K videos like MP4/MKV/AVI/FLV/MOV/H.265/XAVC etc, and sure Sony RX10 III AVCHD/MPEG-4 to Avid Media Composer supported formats without any video quality loss. For Windows users who want Aid MC supported video, Pavtube HD Video Converter can help you. (read review

System Requirements 

  • Operating System: Mac OS X 10.11 El Capitan, 10.10 Yosemite, OS X 10.9 Mavericks, OS X 10.8 Mountain Lion, OS X 10.7 Lion, OS X 10.6 Snow Leopard, OS X 10.5 Leopard on Mac, MacBook, MacBook Air, MacBook Pro
  • Memory: 512 MB physical RAM or above.
  • Processor: Intel processor.
  • Monitor: 1024*768 or higher resolution display.

Now free download the best Avid Media Composer video converter for Mac: 


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Steps: Transcode Sony RX10 III AVCHD/MPEG-4 to Native-Format for Avid 

Step 1. Import Sony RX10 III AVCHD/MPEG-4 files into the program. 

You can directly drag & drop the Sony files to the converter, or click “Add Video” button to load your Sony RX10 III AVCHD/MPEG-4 video files. 

Tip: Check the “Merge into one” box, you can join several AVCHD or MPEG-4 clips together. 

Step 2. Choose DNxHD as the output format. 

Click on “Format”, and select output format from the drop-down list. Follow “Avid Media Composer” > “Avid DHxHD (*.mov)”. 


Step 3. Start AVCHD/MPEG-4 to Avid DNxHD conversion. 

Click Convert button to start converting the Sony AVCHD or MPEG-4 files to DNxHD .mov. 

When the conversion is finished, you can click “Open” button to get the generated files effortlessly. Afterwards, you can import the converted clips into Avid Media Composer for further editing. 

Why we choose Pavtube HD Video Converter for Mac? 

1. Convert to more than 200 formats 

With an ultra-intuitive user experience, anyone can easily encode your source files to all popular video/audio formats like MOV, H.265 MP4, M3U8, AVI, WMV, MKV, FLV, 3GP, VOB, ASF, SWF, MP3, M4A, WAV, AAC, OGG, AC3 and more with excellent output quality. 

2. Fit mobile devices and video editing apps seamlessly 

Transcode your movie library to video files with optimized settings to fit your iPhone 6, iPhone 6 Plus, iPad Air 2, iPad Mini 3/4, Apple TV, PSP, Xbox 360, BlackBerry, HTC, Samsung and more or to native codecs to ensure the best results when using iMovie, Final Cut Pro, Adobe Premiere, Avid Media Composer & more 

3. Create 3D Movies for Virtual Reality Experience 

It is also functioned as a 3D movie creator program. With it, you can make 3D movies from both 2D or 3D resources with side by Side by Side, Red/Blue and Top/Bottom 3D effects. 

4. Create personal movie as you like 

It provides practical video editing functions: trim video length, crop video size, set special effects, add watermarks, insert subtitles, etc. 

5. Ease of Use 

We found this video converter to be extremely easy to use. Everything is clearly labeled and easily accessible. It is set up so that most tools only involve pointing and clicking to reach your destination. We didn’t have any problems understanding the process and were able to jump right into converting video files within minutes of downloading the software and a few clicks. 

6. Help & Support 

Pavtube Video Converter Ultimate provides solid support options, most of which we don’t think you will need because it is a very intuitive application. If you need to ask a question, there is email support, FAQs, onlinehelp, Facebook page and Google+ community at your disposal. We sent email questions to customer support and received responses within a day. 

Avid Media Composer Power Tips 

Avid Media Composer might seem daunting to new users, but here are several “power user” tips to improve your editing experience. 

1. Managing Bin Data 

Custom Sift – Creating filtering values for columns in the Custom Sift window lets the editor control the view and reduce clutter of a bin. For example, to see only your selected takes, create a Selects column in the bin and place an “x” in that column next to each selected clip. Now apply the custom sift filtered for those values and only these clips will be shown. Return to the unsifted view to see all clips in the bin. 

df_avidpwrtips_11_smFind – The Find command (cmd-F on a Mac) opens the Find window. This can be used for text, script and phonetic dialogue searches (if the optional PhraseFind software was installed). For text searches, enter the text string, adjust the search parameters and go. Any matching clips will be displayed in this window. It’s a powerful tool that can be set to search all bins in the projects – not just the current, open bin. If you had a Selects column with an “x” marked for the best takes, you could use the Find window to show all selects for your entire production simply by setting the filter parameters accordingly. That works even when all the bins are closed. 

2. Timeline Editing Tricks 

Collapse – Reduce your timeline’s video track complexity with the Collapse command. Collapsed clips enable you to add transitions in and out of complex, multi-layered effects. Highlight the clips and enable the tracks to be combined, click “collapse” and all the selected clips will be nested into a single container clip on the lowermost video track. Double-click the clip icon and the component pieces will be expanded vertically to reveal the contents for additional editing. 

Replace edit – One of the most useful editorial tools is the Replace Edit function. This is great when you need to eye-match shots to overcut one clip with another, or when syncing a sound effect to a visual cue. Mark the in/out points on the timeline clip and park the playhead over the frame that you want to sync to. For instance, this might be someone jumping into the water. Next, load a new source clip, leave it unmarked and park the source at its sync point. In this case, it might be an audio clip with a sound effect of water splashing. Click the Replace Edit command to edit the new clip into place onto the audio tracks. The sound effect of the splash will coincide with the visual of the person hitting the water. 

Title preview – The Avid Title Tool is a simple WYSIWYG titler that overlays text onto a reference image from the parked position on the timeline. The default is an aliased display for faster operation, but selecting Preview in the Title Tool’s top menu will display an anti-aliased version that better represents the final quality of the rendered text. 

3. Audio Control 

Audio effects – Media Composer offers two plug-in types for audio filters. Audiosuite filters are clip-based plug-ins. These can be previewed in real-time, but must be rendered to be applied to the clip. RTAS plug-ins are real-time, track-based audio effects. Up to five filters can be applied to each track. Real-time performance is subject to processor and RAM demands, of course. Media Composer ships with a set of Digirack and AIR audio plug-ins. Many third-party native RTAS filters for Pro Tools will also work in Media Composer. 

Audio mixing – Avid enables three ways to mix audio within Media Composer: clip volume level settings, rubberbanding keyframes within the track and automation mixing. The mixer panel defaults to clip for an overall setting of volume/pan for the clips under the playhead. Toggle the mixer mode button to access automation mixing. This lets the editor write a real-time volume pass by adjusting the fader levels with the mouse (or an external control surface) on-the-fly. In addition, keyframes can be inserted onto the timeline track and then adjusted for proper level. 

4. Video Effects 

Adjustment layers – Avid does not define tracks or effects as adjustment layers like in Adobe Photoshop or After Effects. Nevertheless, effects may be added to empty, higher tracks and these affect all the clips below. For example, if you want to change the color correction for the entire range of clips on V1, simply apply a color correction setting to the empty filler on V2. One example where this is useful is when you have cameras that record an image with a flat, log profile. Simply apply a curves setting on V2 to function as a viewing LUT for all of the images below it on the timeline. 

Copy/paste effects – To copy an effect with adjusted settings, simply drag the effect icon from the effects editor window to an open bin. To apply that effect to another clip on the timeline, drag the effect from the bin to the clip. Alternatively, you can highlight one or more clips and double-click the effect icon in the bin. It will then apply this effect with its settings to all of the highlighted clips. 

Fluidmotion and Timewarp – Media Composer’s motion tools are some of the best to be found in any NLE. Timewarp is used for advanced retiming or timeline-based speed effects. Fluidmotion is an optical flow-style process that creates in-between frames. Together they provide similar results to that of the RE:Vision Twixtor plug-in. Apply a Timewarp effect to a clip and adjust the motion effects editor for the desired result. There you can also adjust the quality settings by changing the interpolation mode from the Type pulldown menu. Fluidmotion will provide the smoothest results, but there are other options when you prefer faster processing over quality. 

Apply the Stabilize effect to a timeline clip, select FluidStabilizer from the tracking window and start the track. Media Composer will automatically track the image without any user-defined tracking points. It will then apply real-time scale and position adjustments, which can be altered by the editor. 

5. Media Management 

Intermediate renders – Media Composer effects can be rendered at any level, not just the topmost video track. If you apply effects to clips on V1 and render that layer, clips and effects added above it on V2 will not unlink the V1 render files. This is also true if you subsequently remove the clips on V2. This architecture makes it possible to render complex effects at various “in-progress” stages for easy effects creation, better real-time response and with less processing time needed for the final render. 

MXF imports – A number of applications can render Avid-compliant MXF media files. There are several ways to import these into your Media Composer projects. First, the MXF media files should be placed into a new numbered subfolder inside the Avid MediaFiles/MXF folder on one of your hard drives. When you launch Media Composer, the software will scan the drives and index the new media. If a corr


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